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The phonetics and phonology of vocative intonation in Tokyo Japanese
https://repository.ninjal.ac.jp/records/3020
https://repository.ninjal.ac.jp/records/302058ed30ab-9920-4166-ba2d-b5d3e738e052
| Item type | 学術雑誌論文 / Journal Article(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-08-28 | |||||
| タイトル | ||||||
| タイトル | The phonetics and phonology of vocative intonation in Tokyo Japanese | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | eng | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | vocative intonation | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | question intonation | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Tokyo Japanese | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | accent neutralization | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | pitch accent | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | journal article | |||||
| アクセス権 | ||||||
| アクセス権 | metadata only access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_14cb | |||||
| 著者 |
Kubozono, Haruo
× Kubozono, Haruo× Mizoguchi, Ai |
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| 著者所属(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | National Institute for Japanese Language and Linguistics | |||||
| 著者所属(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | National Institute for Japanese Language and Linguistics | |||||
| 抄録(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | This paper examines the phonetic and phonological structure of vocative intonation in Tokyo Japanese, of which very little is known in the literature. Based on our auditory observations and acoustic experiments, we report that Tokyo Japanese uses three distinct pitch patterns termed Patterns α, β, and γ, when calling people by their names or kinship terms. Pattern α is the neutral pattern used in a wide range of contexts and shows a markedly greater pitch range than the corresponding declarative sentence. Patterns β and γ, in contrast, are different from the declarative form in involving an additional H tone and HL tone, respectively, on the final syllable. Pattern β is specifically used when the speaker attempts to draw attention from someone in the distance. Pattern γ is used when the speaker shows affection to the hearer. None of these patterns triggers neutralization of the lexical accent distinctions in the language. | |||||
| 出版者 | ||||||
| 出版者 | The International Phonetic Association | |||||
| 書誌情報 |
en : Proceedings of the 19th International Congress of Phonetic Sciences p. 497-501, 発行日 2019-08 |
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| ISBN | ||||||
| 識別子タイプ | ISBN | |||||
| 関連識別子 | 978-0-646800-69-1 | |||||
| 関連サイト | ||||||
| 識別子タイプ | URI | |||||
| 関連識別子 | http://intro2psycholing.net/ICPhS/papers/ICPhS_546.pdf | |||||
| 関連名称 | http://intro2psycholing.net/ICPhS/papers/ICPhS_546.pdf | |||||
